|
MUSIC THEORY (MUT)
|
| CONDUCTING
|
| |
|
MUT 361
|
Fundamentals
of Conducting |
3 cr |
|
| Basic
baton technique; simple and complex rhythms; score
reading; practical choral and instrumental conducting
techniques. Prerequisite: MUT 213. |
| |
|
MUT 362
|
Instrumental
Conducting |
3 cr |
|
| Advanced
baton technique; psychology of rehearsal; interpretative
and conducting techniques for instrumental organizations.
Prerequisite: MUT 361. |
| |
|
MUT 364
|
Choral
Conducting and Literature |
3 cr |
|
| Advanced
conducting with attention to the harmonic and
formal analysis of choral works; special emphasis
on performance practice. Prerequisite: MUT 361. |
| |
| MUSIC
THEORY |
| |
| NOTE:
A placement test is required of all transfer students. See Placement in Music
Theory. |
| |
|
MUT 112
|
Basic
Music Theory I (C) |
3 cr |
|
| Integrated course in aural and non-aural music theory including music skills, part writing analysis, counterpoint, slight singing, dictation, keyboard harmony, and computer applications in part writing and ear training. |
| |
|
MUT 113
|
Basic
Music Theory II |
3 cr |
|
| Elementary
part-writing in two, three, and four voices. Sight-singing,
ear-training, and keyboard harmony. Must be taken
in sequence. Prerequisite: MUT 112. |
| |
|
MUT 212
|
Intermediate
Music Theory I |
3 cr |
|
| A
continuation of elementary theory. Chromatic harmony
and remote modulation; sight-singing, ear-training,
keyboard harmony. Must be taken in sequence. Prerequisite:
MUT 113. |
| |
|
MUT 213
|
Intermediate
Music Theory II |
3 cr |
|
| A
continuation of elementary theory. Chromatic harmony
and remote modulation; sight-singing, ear-training,
keyboard harmony. Must be taken in sequence. Prerequisite:
MUT 212. |
| |
|
MUT 312
|
Integrated
Analytical Techniques I |
2 cr |
|
| This
is the first semester of a two semester sequence
designed to familiarize students with the rudiments
of formal analysis, counterpoint, and practical
orchestration for 18th, 19th and 20th century
music - particularly emphasizing classical, jazz,
pop, and selected world-music styles. Prerequisites:
MUT 213, Theory Placement Exam, or consent of
instructor. |
| |
|
MUT 313
|
Integrated
Analytical Techniques II |
2 cr |
|
| This
is the second semester of a two semester sequence
designed to familiarize students with the rudiments
of formal analysis, counterpoint, and practical
orchestration for 18th, 19th and 20th century
music - particularly emphasizing classical, jazz,
pop, and selected world-music styles. Prerequisites:
MUT 312, Theory Placement Exam, or consent of
instructor. |
| |
|
MUT 314
|
Introduction
to Composition |
2 cr |
|
| Compositional
techniques and the writing of original compositions
for solo instruments and small ensembles. Prerequisite:
MUT 213. |
| |
|
MUT 412
|
Orchestration |
2 cr |
|
| The
techniques of scoring for the orchestra,
band, and small ensembles. Prerequisite: MUT 213. |
| |
|
MUT 413
|
Band Arranging |
2 cr |
|
| The
techniques of scoring for the modern concert wind
band. Offered in alternate years. Prerequisite:
MUT 213. |
| |
|
MUT 421
|
Composition
I |
3 cr |
|
| Original
work in music composition. To be taken in sequence.
Offered by special arrangement only. Prerequisite:
MUT 314. |
| |
|
MUT 422
|
Composition
II |
3 cr |
|
| Original
work in musical composition. To be taken in sequence.
Offered by special arrangement only. Prerequisite:
MUT 421. |
| |
|
MUT 490
|
Special
Topics |
1-3 cr |
|
| Special
topics in music theory and composition. May be
repeated for a maximum of six hours credit when
content varies. |
| |
|
|
|
|
|
|
| |