Tenth Annual USA Electroacoustic Music Concert March 26 at Laidlaw


Posted on March 19, 2015 by Keith Bohnet Keith Bohnet


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Esther Lamneck

The University of South Alabama Department of Music is pleased to announce the Tenth Annual Electroacoustic Music Concert on Thursday, March 26 at 7:30 p.m. in the Recital Hall of the Laidlaw Performing Arts Center. The concert will feature internationally-acclaimed composer Cort Lippe and world-renowned clarinetist and new music ensemble conductor Esther Lamneck. USA professors of music Peter Wood and David Z. Durant will also participate on the program.

Tickets for this Musical Arts Series event will be sold at the door only. Admission is $8 general and $5 for USA faculty & staff, USA students, youths under 18 and all senior citizens (cash or check only). Persons needing more information about this event or in need of special accommodation may call (251) 460-7116 or (251) 460-6136.

About the guest performers and the concert

Among Cort Lippe pieces that will be presented is In the Shadow of Vulcan for piano and computer. David Z. Durant will be the pianist on the piece. Esther Lamneck will also present one of Lippe’s works for clarinet. Lippe studied Renaissance music in Italy for a year, composition and computer music with Larry Austin in the USA, and followed composition and analysis seminars with various composers including Boulez, Donatoni, K. Huber, Messiaen, Penderecki, Stockhausen, and Xenakis. From 1980-83 he studied and did research in The Netherlands, at the Instituut voor Sonologie with G.M. Koenig and Paul Berg in the fields of computer and formalized music. From 1983-1994 he lived in France where he worked for three years at the Centre d'Etudes de Mathematique et Automatique Musicales (CEMAMu), founded by Iannis Xenakis, while following Xenakis' courses on acoustics and formalized music at the University of Paris. Subsequently, he worked for nine years at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM), founded by Pierre Boulez, where he gave courses on new technology in composition, developed real-time computer music applications, and was part of the original development team for the software Max. His research includes more than 35 peer-reviewed publications on interactive music, granular sampling, score following, spectral processing, FFT-based spatial distribution/delay, acoustic instrument parameter mapping, and instrument design. As a teacher, Lippe has given over 100 presentations and guest lectures around the world, and was a visiting professor at the Sonology Department of Kunitachi College of Music, Tokyo (1992, 1999-2007, and 2010), the Carl Nielsen Conservatory of Music, Odense, Denmark (1999-2001), New York University (2007), and as recipient of a Fulbright Award in 2009, he spent six months teaching and doing research at the National and Kapodistrian University of Athens, Greece. Since 1994 he has taught in the Department of Music of the University at Buffalo, New York where he is an associate professor of composition and director of the Lejaren Hiller Computer Music Studios.

Lippe's compositions have received numerous international prizes, including first prizes from the Irino Competition (Japan), the Bourges Electroacoustic Music Competition (France), El Callejon Del Ruido Competition (Mexico), USA League-ISCM Competition (USA), and the Leonie Rothschild Competition (USA); second prize from the Music Today Competition (Japan); third prize from the Newcomp Competition (USA); and honorable mentions from the Prix Ars Electronica 1993 and 1995 (Austria), the Kennedy Center Friedheim Awards (USA), the Sonavera International Competition (USA), the Bourges Electroacoustic Music Competition, and the Luigi Russolo Competition (Italy). Some of his commissions include the International Computer Music Association, the Sonic Arts Research Center (UK), the Festival El Callejon del Ruido (Mexico), the Dutch Ministry of Culture, and the Zentrum für Kunst und Medientechnologie (Germany); and he has written for many internationally acclaimed soloists, including bassist Robert Black, percussionists Pedro Carneiro, Patti Cudd, and Kenyon Williams, tubists Mel Culberton and Melvyn Poore, saxophonist Steven Duke, clarinetist Esther Lamneck, sho player Mayumi Miyata, harpist Masumi Nagasawa, pianist Yoshiko Shibuya, and bass clarinetist Harry Sparnaay. His music has been performed at more than 100 peer-reviewed and 150 invited national and international festivals and conferences, including the International Computer Music Conference, ISCM World Music Days, Gaudeamus (The Netherlands), the Music Today Festival (Tokyo), the Bourges Synthese Festival (France), the Huddersfield Festival (UK), and SARC's Sonorities Festival (UK). In addition, since 1993 Lippe has collaborated with the composers/researchers Miller Puckette and Zack Settel, performing as the Convolution Brothers at festivals worldwide. His works are recorded on more than 30 CDs, including ADDA, ALM, Apollon, Big Orbit, CBS-Sony, CDCM, CDE Music, Centaur, Classico, CMJ Recordings, EMF, Hungaroton Classic, Harmonia Mundi, ICMC2000/2003, IKG Editions, Innova, MIT Press, Neuma, Salabert, SEAMUS, Sirr, SMC07 and Wergo.

The New York Times calls Esther Lamneck an astonishing virtuoso. Winner of the prestigious Pro Musicis Award, she has appeared as a soloist with major orchestras, with conductors such as Pierre Boulez, and with renowned chamber music and improvised music artists throughout the world. A versatile performer and an advocate of contemporary music, she is known for her work with electronic media including interactive arts, movement, dance and improvisation.

Lamneck makes frequent solo appearances at music festivals worldwide and maintains an active solo career performing and presenting Master Classes in Universities and Conservatories throughout the United States and Europe. An artist who is sought after by the leading composers of our times, her collaborations have led to hundreds of new compositions in many genres including solo works for the clarinet and the tárogató.
Lamneck is one of a few performers who plays the Hungarian Tárogató, a single reed woodwind instrument with a hauntingly beautiful sound. The instrument’s aural tradition has led her to perform it almost exclusively in new music improvisation settings. She is recognized for her collaborative work with composers on both the clarinet and the tárogató in creating electronic music environments for improvisation.

Awarded the Naumburg Scholarship, Ms. Lamneck received her B.M., M.M. and Doctoral degrees from the Juilliard School of Music where she was a clarinet student of Stanley Drucker, other teachers have included Robert Listokin, and briefly Rudolf Jettel. She currently serves as Program Director of Woodwind Studies and the Clarinet Studio at New York University. She is artistic director of the NYU New Music and Dance Ensemble, an improvising flexible group which works in electronic settings using both fixed media and real time sound and video processing. Ms. Lamneck has worked together with choreographer Douglas Dunn for many years creating multimedia productions for Festivals in the US and Italy. Her work in the area of Interactive Technology includes research with the “Eyesweb” program which allows for gestural control of live sound and video processing and numerous programs within the NYU technology labs.

Ms. Lamneck is involved in many projects, several concerned with creating compositions for the flute and clarinet in diverse settings. Her latest CD with NYU faculty Trio, Phenomenon of Threes on INNOVA, makes a significant contribution to the repertoire and presents five new and recent works for flute. clarinet and piano. The Tornado Project, founded by composers Ricardo Climent and Paul Wilson both currently in the United Kingdom, has commissioned works for flute and clarinet for Esther Lamneck and Elizabeth McNutt in interactive real time computer music settings.


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