English Course Offerings
The English Department's course offerings vary by semester. We offer 100-level composition
courses, 200-level introductory courses, 300-level intermediate courses, 400-level
advanced courses, and 500-level graduate courses.
Summer 2023 Upper-Division Courses
EH 372 - Technical Writing (W) | Jeter
FIRST SUMMER TERM: MAY 31-JUNE 27
MWF 12:40-2:35
While technical writing allows for a great deal of creativity, much of technical writing demands both a scrupulous editorial ability and a devotion to established forms: People expect a precisely written document that resembles what they have encountered before. Toward that end, this course aims to acquaint you with and help you master a variety of common letters and memos, as well as a research project on a technical topic written in APA form, a standard set of instructions for an activity of students' choice, and an oral presentation.
EH 372 - Technical Writing (W) | Amare
FULL SUMMER TERM: MAY 31-JULY 28
Online
The course is designed to help you to accomplish the following:
- Understand and analyze writing situations and technologies and invoke the roles and strategies necessary to produce effective writing in localized and globalized contexts.
- Improve your understanding of how writing practices and genres (memos, email, proposals, reports, and websites) function within and across organizations, including how various readers read, where readers look for information, and what multiple purposes documents serve inside and outside particular situations.
- Produce more effective visual, textual, and multimedia documents.
EH 372 - Technical Writing (W) | Gandy
FULL SUMMER TERM: MAY 31-JULY 28
Online
Technical Writing is a real-world writing course for English majors, computer science majors, engineering majors, health careers majors, and other technical fields where soon-to-be professionals will be required to write in a team-concept work environment. The students choose specific subjects to argue logically, technically and factually for measurable improvements via specific behaviors in the workplace. These arguments may involve problem-solving of existing situations or establishment of new, innovative programs.
EH 490 - Contemporary Black Women's Poetry | Vrana
FULL SUMMER TERM: MAY 31-JULY 28
MW 2:30-5:00
This colloquium will examine 21st-century Black women's poetry, exploring questions about how academia, prizes, and publishing respond to, endorse, and/or commodify different types of poets, and how readers engage their exceptional works. We will read Natasha Trethewey, Evie Shockley, Elizabeth Alexander, Evie Shockley, Patricia Smith, inaugural poet Amanda Gorman, and Honorée Fanonne Jeffers. We will supplement with theories of poetics, race, gender, and ideas of symbolic capital/the cultural field. The course will be blended (some in-person meetings, some asynchronous/online work); students will develop independent research projects to present at a colloquium at term's end.
EH 492 - Oral Narrative | Jackson
MAYMESTER: MAY 8-JUNE 26
MTWRF 10:00-12:30
"Where there is darkness, they shine beams of light." This course focuses on African American oral narrative as data to be collected, and how it is used in literature. We will explore the "telling" that captures the ephemeral, "lived sensation and experience," as well as the practical magic and spiritual nourishment of "stories" that help us make sense of the world. Doing so will put forth a contemporary glimpse into collective Black American memory.
Summer 2023 Graduate Courses
EH 590 - Contemporary Black Women's Poetry | Vrana
FULL SUMMER TERM: MAY 31-JULY 28
MW 2:30-5:00
This colloquium will examine 21st-century Black women's poetry, exploring questions about how academia, prizes, and publishing respond to, endorse, and/or commodify different types of poets, and how readers engage their exceptional works. We will read Natasha Trethewey, Evie Shockley, Elizabeth Alexander, Evie Shockley, Patricia Smith, inaugural poet Amanda Gorman, and Honorée Fanonne Jeffers. We will supplement with theories of poetics, race, gender, and ideas of symbolic capital/the cultural field. The course will be blended (some in-person meetings, some asynchronous/online work); students will develop independent research projects to present at a colloquium at term's end.
EH 592 - Oral Narrative | Jackson
MAYMESTER: MAY 8-JUNE 26
MTWRF 10:00-12:30
"Where there is darkness, they shine beams of light." This course focuses on African American oral narrative as data to be collected, and how it is used in literature. We will explore the "telling" that captures the ephemeral, "lived sensation and experience," as well as the practical magic and spiritual nourishment of "stories" that help us make sense of the world. Doing so will put forth a contemporary glimpse into collective Black American memory.
Fall 2023 Themed Literature Surveys
Coming soon!
Fall 2023 Upper-Division Courses
EH 300 - Introduction to Literary Study | St. Clair
TR 2:00-3:15
Only two Americans alive today have won the Nobel Prize in Literature. Since musicians are far more fun than poets, however, this course will focus solely on the Bard of Hibbing himself: Mr. Robert Allen Zimmerman, better known, of course, as Bob Dylan. In addition to perusing Dylan's latest tome, The Philosophy of Modern Song (2022), students will get a crash course in reading strategies, research methodologies, and literary techniques — all while listening to a lot of weird music and being subjected, inevitably, to St. Clair's increasingly digressive rants.
EH 320 - Shakespeare's Plays | Hillyer
TR 12:30-1:45
We will be studying a representative selection of Shakespeare's plays in all the kinds that he wrote—tragedies, comedies, histories, and romances—grouped not according to the chronological order of their composition but according to theme. Thus, we will consider as a pair Titus Andronicus and Hamlet—two very different tragedies in most respects, but sharing in common a focus on revenge. Similarly, we will also read as foil texts the tragedy Othello and the romance The Winter's Tale, plays again very different in most respects but featuring men driven out of their minds by jealousy. We will be reading the plays as plays, performing portions of the scripts as much as possible and confining ourselves to "producible interpretations." Assigned writing will consist of a midterm and final exam, and two short essays (3-4 pages) based on close-reading analysis.
EH 364 - British Novel from 1900 to 1945 | Raczkowski
MWF 11:15-12:05
Houses are weird. We are always running to them or away from them. They can be haunted, hallowed, divided, on fire, for sale; they can protect us and simultaneously imprison us. A house, or home, always comes with awkwardly shaped furniture that precedes us: traditions, gender relations, politics, and forms of identity. This course will study some of the central houses built — and well, blown up — in the fiction of E.M. Forster, Virginia Woolf, and other British modernist authors who sought to unhouse us from conventional ideas about reading and the world in which we seek shelter.
EH 371 - Approaches to English Grammar | Amare
TR 11:00-12:15
This course is designed for individuals who want a working knowledge of grammar and usage. In addition to learning grammar and usage concepts, we will explore different approaches to teaching grammar. You will research articles about the changing role of grammar in the English Studies curriculum to help you contextualize these concepts within the larger debate of English Studies and the teaching of grammar.
EH 372 - Technical Writing (W) | Guzy
MWF 1:25-2:15
The purpose of this course is to train students in the kinds of written reports required of practicing professionals, aiming to improve mastery of the whole process of report writing from conceptual stage through editing stage. This course will introduce you to types of written and oral communication used in workplace settings, with a focus on technical reporting and editing. Through several document cycles, you will develop skills in managing the organization, development, style, and visual format of various documents.
EH 372 - Technical Writing (W) | Amare
Online
The course is designed to help you to accomplish the following:
- Understand and analyze writing situations and technologies and invoke the roles and strategies necessary to produce effective writing in localized and globalized contexts.
- Improve your understanding of how writing practices and genres (memos, email, proposals, reports, and websites) function within and across organizations, including how various readers read, where readers look for information, and what multiple purposes documents serve inside and outside particular situations.
- Produce more effective visual, textual, and multimedia documents.
EH 372 - Technical Writing (W) | Beason
Online
How can you effectively convey specialized or technical information in the workplace to readers whose expertise with this information can vary greatly? Whether your field of study deals with health care, the sciences, the computer industry, the liberal arts, or almost any field of study, this course can assist you with varied types of workplace writing and editing. EH 372 can also help satisfy the W-Requirement and count as an English elective for most English majors and minors.
EH 373 - Writing in the Professions (W) | Beason
MWF 1:25-2:15
What does it mean to "write on the job," and how is it different from college writing? This W-Course is intended for students in diverse majors. It also counts as an "English elective" for most English majors and minors. The goal is to prepare you to write in one or more professions. To do so, we focus on three elements: (1) "generic" workplace-writing skills; (2) rhetorical analysis of workplaces; (3) and practice in writing and critiquing documents.
EH 379 - Horror | Guzy
MWF 9:05-9:55
Do scientific, political, cultural, and technological developments alleviate our deepest fears or create new ones? In this course, we will investigate ways in which the horror genre has developed from and in turn has shaped our culture. Through active class discussion, oral presentations, and written assignments, students will analyze and critique aspects of horror and relate horror works and themes to areas of personal and professional interest. Readings will include fictional texts and scholarly commentary on the genre; selected video clips and feature-length films will also be viewed and discussed.
EH 391 - Fiction Writing | Prince
TR 9:30-10:45
This course will introduce students to the art of short fiction and its contemporary practitioners. We will read short fiction not so much for "meaning" or "theme" but for technique. We're interested in how stories are built in order to gain insight into how we might build them ourselves. A popular myth is that good writing is built on inspiration and "natural talent," but the very existence of this course implies otherwise. And nearly every accomplished fiction writer will tell you that his or her success is owing mostly to studied technique, careful reading, and a whole lot of experimentation.
EH 395 - Poetry Writing | Pence
TR 2:00-3:15
In this course, we will practice writing poems in different forms, from the intellectual slinkiness of Shakespeare's sonnets to the cosmic embrace of Whitman's freeverse. Our focus will not be so much on the rules regulating each form, but on the deep history, artistry, and context behind those rules so that we can choose the right form for our poem's content. Some forms will include syllabics, spoken word, persona poems, and freeverse. How one varies these forms and tailors them to a personal aesthetic will be the challenge and pleasure.
EH 401 - Teaching Composition (W) | Beason
MWF 11:15-12:05
EH 401 is primarily for English majors planning to teach writing at the secondary level (or seriously considering doing so). The course offers theoretical, practical, and hands-on experience to prepare you for teaching students to write effectively in diverse genres and situations. EH 401 also helps students fulfill the W-Course requirement.
EH 405 - Editing and Document Design | Amare
TR 9:30-10:45
This course combines the principles of editing with document design to prepare students for the vast world of professional publishing. Students gain applied experience editing and designing publications for the trade book industry, academic journals, and corporations and organizations in print and digital formats. Throughout the course, students learn general editing principles, editorial roles, and editorial terms as well as the theories and aesthetics of design. Students hone their skills in visual rhetoric by becoming more proficient in understanding the relationship between textual content, format, and graphics.
EH 421 - Literary Criticism to 1900 (W) | Halbrooks
MWF 12:20-1:10
This course will survey some of the major debates about literature beginning with Gorgias, Plato, and Aristotle. What is literature? What does it do, and what is its function? What is the relationship between literature and the world? How do we define and categorize literary form and genre? What is the responsibility of the writer? How can women respond to a predominantly male literary canon? How can people of color respond to a predominantly white literary canon? What might constitute productive (or ethical) strategies of literary interpretation and analysis?
EH 468 - Contemporary Black Fiction | Vrana
MWF 1:25-2:15
Although numerous themes proliferate in Black fiction since 1965, one of the most pronounced has been a meta-focus on writing, with many novels featuring authors, professors, and publishers/editors. This often produces humorous, satirical commentary on social issues surrounding Black authorship and literary representation. Reading "metafictional," intertextual novels like Mat Johnson's Pym (2011) and Zakiya Dalila Harris's The Other Black Girl (2021), we will interrogate with these writers: what has changed (and has not) in Black authors' treatment in post-1965 America?
EH 475 - Nineteenth-Century Literature | Harrington
TR 9:30-10:45
What does it mean to be British? For Victorian novelists, contemporary concerns about evolution, the role of the detective, and the emerging field of criminal anthropology animate the discussion about policing the subjects of British rule within Britain and in the colonies. This class uses literary and popular novels, stories, and essays to consider the ways in which gender and class differences and Irish, Jewish, African, and Indian identity complicate the idea of being British.
EH 483 - Advanced Fiction Writing | Johnson
W 6:00-8:30
This workshop-style course is devoted to understanding literary short fiction — and what that term means today. In attempting to do so, students will produce and revise a significant piece of fiction, as well as participate in seminar-style discussions. Guiding them will be a number of essays on craft and stories written by authors working in various styles to illuminate how fiction works.
EH 485 - Advanced Poetry Writing | Pence
R 6:00-8:30
This advanced poetry writing course continues the practices and studies in poetic craft began in earlier creative writing courses. Specifically, this course examines the multiple styles of the contemporary lyric and asks what are its craft elements that create what Auden defines poetry to be: "memorable speech." We will study a range of contemporary poets to understand not only how to shape our own experiences into poetry, but also how to understand our role within the lyrical tradition. To help us gain an understanding of this vibrant field, our class will host guest poets, including Alabama's State Poet Laureate Ashley M. Jones.
Fall 2023 Graduate Courses
EH 502 - Graduate Writing for English | McLaughlin
W 6:00-8:30
EH 502 is required of all M.A. students in their first year of course work. The central purpose of this course is to prepare students for research and academic writing at the graduate level, but it also aims to prepare students for direct engagement with the academic conversations, discourses, and practices that circulate around and through the study of literature—in this case, the short stories and novellas of Henry James as well as the literary criticism that has been written in response to them.
EH 505 - Teaching College Writing | Shaw
MW 2:30-3:45
This course examines issues in composition history, theory, and pedagogy in the context of teaching first-year composition. Students will use this knowledge to develop course material appropriate to teaching first-year composition. Topics include syllabus and assignment design, lesson planning, course management, teaching in the linguistically and culturally diverse classroom, and assessment. Pre-requisite / Co-requisite: EH 502.
EH 525 - Restoration & Early 18th-Century Lit | Hillyer
R 6:00-8:30
We will be studying a representative selection of British literature from the post-Restoration period and the eighteenth century, with a particular focus on women — sometimes as authors, more often as subjects or characters. We will be covering Aphra Behn's Oroonoko, Daniel Defoe's Moll Flanders, and Alexander Pope's Rape of the Lock. Other authors likely to feature include John Wilmot, Samuel Pepys, Jonathan Swift, and Lady Mary Wortley Montagu. Though the primary focus of our discussion will accordingly be gender, we will no doubt be thinking as well about issues relating to social class and to the emergence of Britain as an imperial power with colonies in almost all parts of the planet. The primary writing assignment will be a research paper of about 15-20 pages, developed throughout the semester.
EH 552 - African American Literature since 1900 | Vrana
M 6:00-8:30
Although by now African American authors like Ralph Ellison and Toni Morrison have become widely read, the political and aesthetic diversity of this longstanding tradition remains little discussed. This course will survey selected works of African American literature from 1900 to the present across genres (fiction, drama, and poetry), emphasizing writers' wide-ranging aesthetic approaches. Authors may include: Harlem Renaissance and Black Arts Movement poets, Nella Larsen, Richard Wright, Fran Ross, Ishmael Reed, Morrison, Chimamanda Ngozie Adichie, and Colson Whitehead.
EH 571 - Modern British Fiction | Raczkowski
T 2:30-5:00
This course on the modernist British novel is curiously bookended by E.M. Forster's Howard's End (1908) on one side and Zadie Smith's On Beauty (2006) on the other. While we will focus on modernist novels that investigate the relationships between art, ethics, and politics, my cunning plan is to use Smith's postmodern rewriting of Howard's End as a means of evaluating the current status of modernist claims (like Forster's) that art and aesthetic experience can make the world new. Let's hope Forster was right...
EH 583/4 - Graduate Fiction Writing Workshop I/II | Johnson
W 6:00-8:30
This graduate-level workshop is devoted to writing literary short fiction — and what that term means today. Stories students write in this course can be set anywhere, during any time period, but should demonstrate a deep engagement with respect to craft and technique. Or as the writer Audre Lord said, "There are no new ideas. There are only new ways of making them felt, of examining what our ideas really mean."
EH 585/6 - Graduate Poetry Writing Workshop I/II | Pence
R 6:00-8:30
This graduate writing course explores different styles that currently define the American contemporary poem and engages with how these styles are responses to Romantic and modern literature. We will analyze political, narrative, surreal and other types of poems from some of the best poets writing today in order to create our own poem. To help us gain an understanding of this vibrant field, our class will host guest poets, including Alabama's State Poet Laureate Ashley M. Jones.
A full listing of all courses in the departmental catalog is available via the University Bulletin. For a listing of courses offered in a given semester, please visit PAWS. Enter the catalog term you wish to search and select "English" as the subject on the page that follows.